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Genevra Kornbluth.
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Last updated
November 10, 2023

Historical Archive: Known Artists, Lindsay to Orcagna



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Emma Lindsay 2014, stained glass in Canterbury cathedral cloister, which has its own own page. Glass copyright: artist/heirs.
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Filippo *Lippi, Coronation of the Virgin panel, Marsuppini altarpiece, 1450s, Vat. loan to Arezzo MS. For details see Arezzo Museums.
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*Lippo Memmi, poss. design summit: Torre del Mangia 1338-48, Palazzo Pubblico, Siena, which has its own exterior page
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Jacob de Littemont (attrib.), canopy from the throne of Charles VII of France, wool and silk, c.1425-50, Louvre OA 12281. For detail see Louvre.
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Harvey Littleton (American, b. 1922), Blue Crown, pulled and cased glass, 1988, IMA 1991.221a-l. Art object copyright: artist/heirs. For other views see IMA.
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Ambrogio *Lorenzetti, Good and Bad Government 1338-40, Siena, which has its own page
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Ambrogio *Lorenzetti 1343, Annunciation , SPN inv. 88, which has its own page
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Pietro *Lorenzetti? Virgin and Child w. SS Catherine, Agnes, c.1310-15, tempera/panel, Arezzo MS
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*Lorenzo Monaco, Virgin and Child, gilded and engraved glass, Florence c.1400, Louvre OA 3109
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Lorenzo Monaco, Crucifix (croce dipinta), panel painting c.1420. MFAB. This work has its own page.

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Stephen Lote (d. 1417/18), Canterbury cathedral cloister, which has its own own page.
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Victor Louis 1767-88, Marble/stucco cladding, Chartres cathedral. For more views see Chartres.
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Wilhelm *Lucas von Cranach, Gorgon brooch, gold/opal/nephrite/jasper/emerald/pearl, Berlin 1902, KGM LG 147. For detail see KGM.
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Hans Ludolff: Altar of St. Charlemagne, retable 1655, Sion, Valère basilica, which has its own interior page
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J. Ch. Lücke?, box in the form of a gloved hand making the 'fig' gesture, ivory, 18th c. Germany, MAAB. For profile view see MAAB.
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Pierre Maggenberg and Etienne de Montbéliard: paintings, 1434-37, Sion, Valère basilica, which has its own interior page with additional paintings
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Charles-Laurent Marechal, stained glass 1850s, Pisa baptistery, which has its own page with another window, in cathedral complex
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Margarito/Margaritone d'Arezzo, Madonna di Montelungo, tempera/panel c. 1250-1300, Arezzo MS, which has its own page
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shop of Margarito/Margaritone d'Arezzo: St. Francis, c.1260-75, tempera/panel, Arezzo MS
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Maurice Marinot, vase in the shape of a head, blown and acid etched glass, French c.1928, CMA 1929.114. Art object copyright: artist/heirs.
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Bernat Martorell, St. George, Spain 1434-35, tempera on panel, AIC 1933.786. This work has its own page.
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Ewald Mataré 1952-54: Aachen cathedral west window, bronze with rock crystal panes. The cathedral has its own pages.
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Balthasar *Megelin and Hans Georg Miller, Sion Cathedral pulpit, 1622-26. For additional views see Sion Cathedral.
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Michelangelo Merisi (Caravaggio), Deposition (Christ placed on the stone of unction), oil on canvas, 1604, Vat 40386. This work has its own page.
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Hans Georg *Miller and Balthasar Megelin, Sion Cathedral pulpit, 1622-26. For additional views see Sion Cathedral.
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Minucchio, Jacobi da Siena: golden rose 1330, Cluny Cl. 2351, which has its own page
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Jean-Pierre Montagny, Napoleon le Grand 1836: plaque with hair of Napoleon, silver/gilt/bronze, France 1840s, Hermitage UM-30876. For details see Hermitage.
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Amleto Montevecchi, Mrs. Bernagozzi 1920, aquarelle, Imola 301
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Henry Moore, Figure 1932, lignum vitae with wood base, front, UMMA 1953/1.27. Art object copyright: artist/heirs. For other views see UMMA.
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Henry Moore, Stringed Reclining Figure 1939, bronze with string and wood base, UMMA 1968/1.198. Art object copyright: artist/heirs. For other views see UMMA.
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Walter Moroder, heads 2013: Hildesheim Madonna, gold/gems on wood core, c.1010-15, HildMus DS82, which has its own page
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Francesco Mosca, Giuseppe Stagi, Lorenzi Stoldo di Gino 1505-c.1577: south transept chapel, Pisa cathedral, which has its own pages
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Francesco Mosca, Lorenzi Stoldo di Gino marble; metalwork Luca D'andrea: Coronation of the Virgin 1565-83, int. Pisa cathedral, which has its own pages
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Edvard Munch, Mermaid 1896, oil on canvas shaped for space under rafters, PMA 2003-1-1. For detail see PMA.
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Andrija Mutnjaković, National Library of Kosovo 1974-86, Pristina, which has its own page
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Myshkin and Kryvtsov of Pskov, core of structure 1484-89, Moscow Annunciation Cathedral, which has its own page
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P Naldini et al., main altar and Ceva memorials, 1673-99, Lateran Baptistery, Rome, Chapel of St. Vanantius. This chapel has its own interior page.
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Dashi Namdakov 2003, She-Guardian, bronze, MSHM, which has its own page. Art object copyright: artist.
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Francesco Nardi and Rodomonte Pieri 1642, Serponti altar with St. Charles Borromeo in prayer (on right), San Francesco, Pescia, which has its own page
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Neri di Bicci 1458, Cardini chapel fresco, San Francesco, Pescia, which has its own page
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Neri di Bicci, 2-sided processional cross, tempera and gold on wood, Italy c.1475, UMMA 1942.6. This work has its own page.
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*Niccolò di Giovanni da Borgo Sansepolcro c.1498-1500, copper silvered/gilt reliquary SS. Lorentino/Pergentino, Arezzo MS. For other views see Arezzo Museums.
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*Niccolo di Pietro Gerini, Man of Sorrows w. instruments Passion, c.1405-06, tempera/panel fr Santissima Annunziata, Florence: Arezzo MS
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mostly P.R. Nikitin 1770s, former residence of the Metropolitan (left), Veliki Novgorod. For other exterior views see cathedral exterior.
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poss. Nino Pisano, or Andrea Pisano, Virgin and child 1330-1336, alabaster, MFAB 7167 or 1100. This work has its own page.
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Joan van *Noort/Jan van Noordt, Susanna and the Elders c.1660, Utrecht RMCC s75, loan from Instituut Collectie Nederland, Amsterdam, NK 1700
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Joan van *Noort, Susanna and the Elders, c. 1670, SF 2007.22
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Gaspar Núñez Delgado, Crucifixion, 1599; ivory, ebony, mahogany, silver, and polychrome, IMA 1995.24. For details see IMA.
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Jean-Baptiste-Claude Odiot (1763-1850), Soup tureen 1819, gilded silver, IMA 1997.129A-C. For details see IMA.
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Odo of Metz, Aachen cathedral 793-813. The cathedral has its own pages.
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Orcagna (Andrea di Cione) altarpiece 1357, Cappella Strozzi di Mantova, Florence, which has its own page